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| Originally Posted by iplaycheapstrat Maybe it's just me, but Cluster one is so powerful. It starts as random feelings, then it gains momentum and it focuses in an amazing argument between two entities who appear through the piano and the guitar, it reaches a climax and then it dissipates. Fucking awesome |
No, it's not just you, I totally agree here. I remember buying TDB back in '94 and coming back home anxious to play it. When "Cluster One" began I thought at the beginning "well, one more nice intro instrumental alla Signs of Life". But then the piano comes in and changes everything. It sets that sad/melancholic feeling that runs all through the album. But what I inmediately thought was "Hey! It's good old Rick back on board!". That interplay between guitar and piano is so beautiful. I have always thought that the best of those boys came out of their collabortive efforts ("Echoes", "Shine On", "Dogs", "Comfortably Numb"...)