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#31
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#32
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| Yes, thanks, you m**********r! |
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#33
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| No problem you asslicking *****, ***** that like to ***** on your **** mom's ********* *** |
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#34
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| Mystic hopper? |
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#35
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| I can't understand what you're saying, you keep typing in asterisks. |
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#36
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| Its our version of Mad Libs. |
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#37
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| I think it's Morse Code. |
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#38
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| Quote:
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#39
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| And I shall continue to do so, until I stop. |
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#40
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| You selfish m***********g b*****d. |
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#41
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| i read this thread backwards and oddly enough it made more sense. p.s. madlibs are the greatest gift mankind has ever received. |
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#42
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| User neelabhbisen has been banned. He was, of course, asydwaters, 'back from the banned', if you will. |
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#43
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| I can't wait for the fourth coming. |
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#44
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| I wonder if he'll use the same avatar again to throw everyone off the scent. |
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#45
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| Re: Roger Waters Is Van Gogh ! Quote:
Answer My Pranks Is Fumin In The Wind !! And Now Take This Ye All Of Low-Faith : Roger Waters Live in Capetown, South Africa-(Jul 1, 2002 12:00 PM, Steve Moles ) "He is exacting," said show designer and art director Jonathan Park. Three little words that neatly embody the character of a perfectionist. It's a characteristic of Roger Waters that was referred to by everyone on the tour I interviewed. "OK, so it's another picky goddamn obsessive," I hear you say. Not so, I respond, for each one of those interviewees made the character observation without a hint of resentment or malice. Why? Waters commands respect for his art, and in return for helping him complete his vision, all involved get to bask in the glory of his creative muse. Why is this any more or less attractive to the audience experience? I can explain it by the following metaphor: Lovers of classical music will attend a particular performance of, say, Beethoven's Pastoral because of a potential variety of factors--the orchestra, the conductor, the pianist, the venue. A host of influences will colour what is, in the end, a bunch of black dots and squiggles on a page. |
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